Baxter was founded in 1990 in Lurago d'Erba, Italy, by Paolo Bestetti and Luigi Bestetti, with a singular mission: to elevate leather from a material of craft tradition to a contemporary language of domestic luxury. Three decades later, the company has become one of the most distinctive names in Italian upholstery, equally respected by private collectors, interior designers, and film set decorators — Baxter sofas have appeared in the homes of countless global tastemakers and on the screens of international cinema.
At the core of the Baxter identity is an obsessive, almost artisanal approach to leather. The company works exclusively with full-grain hides, which are tanned in the group's own tanneries in Tuscany using vegetable-based processes that take up to forty days. The leather is then hand-finished — polished, oiled, aged, sometimes crackled — to produce the soft, lived-in patina that has become a brand signature. A Baxter sofa is designed to deepen in character over time rather than to remain pristine, an aesthetic that places the brand closer to heritage English leather goods than to industrial furniture.
Creative direction is led by Paola Navone, whose long collaboration with the brand has produced collections that read as stage sets: bohemian, richly layered, unafraid of colour, texture and historical reference. Iconic pieces include the Chester Moon sofa — a modern reinterpretation of the Chesterfield — the Diner armchair, the Budapest sofa, the Housse seating system, and more recent dialogues with designers such as Draga&Aurel, Matteo Thun, Roberto Lazzeroni, Studio Peregalli, Antonino Sciortino, and Federico Peri. Together they give Baxter an almost couture-like variety of voices within a coherent material universe.
Beyond upholstery, the collection now includes tables, beds, cabinets, rugs, outdoor pieces, and lighting, supported by a growing Baxter Interior Design programme that delivers full turnkey projects for residences, hotels, yachts and restaurants. The brand's annual installations at Salone del Mobile in Milan — staged inside the Baxter Cinema in Tortona — have become cultural events in their own right, blurring the line between furniture fair and art direction.
With flagship showrooms from Paris and London to New York, Miami, Moscow and Shanghai, and a network of authorised dealers across sixty countries, Baxter has built a global audience for a very Italian proposition: leather as memory, craftsmanship as narrative, and interiors as a form of personal literature.